Name: Donkey Dance
Duration: P00H04M51S
Description: drums: Cornell Marshall, keys: Earl Appleton

Donkey Dance

from First Taste is Free by Louie Fleck & NYC Reggae Collective

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about

drums: Cornell Marshall, keys: Earl Appleton

lyrics

Donkey Dance (4:50)

Doesn’t it make a pretty little picture?
A bunch of perverts and her alone
Now all we need is a man with a camera...
To call ‘em up later on the blackmail phone.

Off on a side road, far from the main drag
We’d be closed in a minute if they only knew
Keep your hands to yourself or we’ll cart you away
And you’ll never get to see what the world has come (down) to.

Without American dollars, you might as well leave
Use that door that you came through, if you want romance
Maybe someone, somewhere’s got a hidden agenda
But, everybody’s here to see the donkey dance
Dance. Dance little donkey

I’ve been working this dump for a long time
Every stinkin’ word that you heard is true
If you can’t take the worm, don’t drink from the bottle
Sure, I could get a shot of crystal meth for you.

You don’t need to look far, if you’re looking for trouble
Make sure you always pack an extra Jack or an Ace
Maybe this girl doesn’t play with a full deck
Have you ever seen such an innocent face? (1st chorus)

The windows in this room have been painted black
If the sun ever shines again, we’ll never know
One day she’ll be found on the floor of the bathroom
But for now, have a seat, let’s get on with the show

With traveler’s checks and credit cards, you might as well leave
A guy like you doesn’t stand a chance
Happy hour in the hotel lounge might be kind of nice
But, everybody’s here to see the donkey dance. (1st Chorus repeat)
Dance little donkey. Do you know how to samba?
Dance little donkey. Do you know how to conga? Dance

credits

from First Taste is Free, released August 10, 2012

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about

Louie Fleck New York

Composer, Engineer, Producer, Bassist, Guitarist and one-finger keyboard player! He has played in numerous bands, written musicals, composed sound design for film and theater.

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